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Exterior shading devices, when typically used, are horizontal planes that are most effective at the south face of buildings in the northern hemisphere. Horizontal devices are less effective on the eastern and western exposures of buildings due to lower solar altitude in the morning and evening. An iconic response to the limitations of horizontal shading is the brise-soleil, propelled into the lexicon of modern architecture by Le Corbusier. The vertical extrusions of the waffle like device are better suited for eastern and western exposures, especially if the vertical extrusions are not oriented directly on an east-west axis.
Less iconic is a movable vertical louver shading system, which appeared in Brazil and was introduced to the United States by Richard Neutra in the late 1940’s. Neutra’s advancement of the system culminated in an automated system that satisfied shortcomings in the brise-soleil, and provided an additional aesthetic for modern architects. A kinetic system addressed the difficult challenge of shading western and eastern exposures during the cooling season, while allowing for daylighting when heat gain is less of a liability. Neutra’s use of the system countered a horizontal emphasis in mid-century architecture and conveyed order like Mies van der Rohe’s exterior curtain wall extrusions. Neutra’s order, unlike Mies’s, integrated poetry with performance.
Use of exterior solar-breaks in the United States receded in the 1960’s, and returned with limited use after the energy crisis of the 1970’s. However, many applications are less integrated then earlier iterations. Moveable exterior vertical louvers have reappeared in Europe, and in only one recent project by a notable architect in the United States. This paper traces the development of the mechanized vertical louvers system and contextualizes its disappearance. Relatively low-tech by today’s standards, the system represents a viable contemporary solar control solution.
Solar control features have long been associated with western and non-western building construction including the ancient civilizations of the Mediterranean. Most often, they have merged into traditional architectural languages to
Solar Control and Early Era Modern Architecture
Early modern residential architecture incorporated extensive overhangs including houses by Greene and Greene who practiced in Pasadena, California, and Bernard Maybeck who practiced
Kaufmann Desert House
Competing objectives including providing privacy, shading, permitting views, and defining outdoor spaces were the primary benefits sought when Richard Neutra created the first rotating vertical louver
Other American Architects
Designed to house a cylindrical painting, the Gettysburg Cyclorama (1959) was the next Neutra commission to include an automated vertical louver system, this time with light sensors
Reasons why few architects adopted an automated vertical louvers system during Neutra’s lifetime relate to timing, lack of knowledge of the benefits of the system relative to costs, and difficulties
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